{"id":3857,"date":"2018-11-07T23:34:56","date_gmt":"2018-11-07T22:34:56","guid":{"rendered":"https:\/\/www.organscore.com\/?p=3857"},"modified":"2026-02-28T11:00:37","modified_gmt":"2026-02-28T10:00:37","slug":"lisibilite-des-partitions-organscore","status":"publish","type":"post","link":"https:\/\/www.organscore.com\/fr\/2018\/11\/07\/lisibilite-des-partitions-organscore\/","title":{"rendered":"Lisibilit\u00e9 des partitions OrganScore"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 2em; font-weight: bold; text-align: justify;\">Lisibilit\u00e9 des partitions OrganScore<\/span><\/p>\n<p style=\"text-align: justify;\">Lorsqu\u2019ils travaillent une \u0153uvre, les musiciens suivent un long processus de r\u00e9solution de difficult\u00e9s techniques et d\u2019assimilation du texte musical. Ce travail s\u2019appuie progressivement sur la m\u00e9morisation de tous ces \u00e9l\u00e9ments. Beaucoup finissent d\u2019ailleurs par jouer de m\u00e9moire : c\u2019est typiquement le cas des pianistes en r\u00e9cital.<\/p>\n<p style=\"text-align: justify;\">Pour les organistes, il en va de m\u00eame. Toutefois, en raison des caract\u00e9ristiques propres \u00e0 l\u2019orgue et \u00e0 son r\u00e9pertoire, ils jouent tr\u00e8s souvent avec la partition sous les yeux.<\/p>\n<p style=\"text-align: justify;\">La partition est donc un outil essentiel, non seulement pour le travail des \u0153uvres, mais aussi pour leur ex\u00e9cution en public. C\u2019est pourquoi j\u2019ai souhait\u00e9 que les partitions OrganScore soient pleinement adapt\u00e9es \u00e0 ces deux usages. Cela suppose un ensemble d\u2019optimisations. L\u2019\u00e9limination des probl\u00e8mes de tourne de page en est une composante majeure, mais la recherche d\u2019une lisibilit\u00e9 optimale en est une autre, tout aussi essentielle.<\/p>\n<p style=\"text-align: justify;\">Avant d\u2019entrer dans le d\u00e9tail, il convient de pr\u00e9ciser que le logiciel utilis\u00e9 est <strong data-start=\"1453\" data-end=\"1463\">Finale<\/strong> (MakeMusic). C\u2019est gr\u00e2ce aux possibilit\u00e9s quasi infinies de ce logiciel que j\u2019ai pu optimiser \u00e0 la fois les tournes et la lisibilit\u00e9. Ce travail s\u2019est appuy\u00e9 principalement sur le r\u00e9glage des param\u00e8tres suivants :<\/p>\n<ul style=\"text-align: justify;\">\n<li>choix des polices musicales,<\/li>\n<li>taille des port\u00e9es et des notes,<\/li>\n<li>\u00e9paisseur des lignes,<\/li>\n<li>\u00e9paisseur et espacement des ligatures,<\/li>\n<li>espacement horizontal des notes,<\/li>\n<li>espacement vertical des port\u00e9es et des syst\u00e8mes,<\/li>\n<li>r\u00e9partition des voix entre les port\u00e9es.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">Il serait fastidieux \u2014 et d\u2019un int\u00e9r\u00eat limit\u00e9 \u2014 de d\u00e9crire l\u2019ensemble des recherches et essais r\u00e9alis\u00e9s. Je me contenterai donc d\u2019en pr\u00e9senter ici quelques aspects significatifs.<\/p>\n<h2 style=\"text-align: justify;\">La police musicale<\/h2>\n<p style=\"text-align: justify;\" data-start=\"2159\" data-end=\"2455\">Les polices musicales num\u00e9riques se sont multipli\u00e9es avec le d\u00e9veloppement des logiciels de gravure musicale. Parmi cette grande diversit\u00e9, certaines sont devenues des r\u00e9f\u00e9rences (Maestro, Opus, Sonata, Petrucci, entre autres). La plupart sont bien proportionn\u00e9es et offrent une bonne lisibilit\u00e9.<\/p>\n<p style=\"text-align: justify;\" data-start=\"2457\" data-end=\"2802\">Apr\u00e8s de nombreux essais, notamment sur la taille et la forme des t\u00eates de notes, mon choix s\u2019est port\u00e9 sur la police <strong data-start=\"2575\" data-end=\"2586\">Maestro<\/strong>, fournie avec Finale. Ses proportions sont excellentes et les t\u00eates de notes sont g\u00e9n\u00e9reuses sans \u00eatre lourdes. Associ\u00e9e \u00e0 une \u00e9paisseur de lignes soigneusement choisie, elle procure un excellent confort de lecture.<\/p>\n<figure id=\"attachment_3870\" aria-describedby=\"caption-attachment-3870\" style=\"width: 1600px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3870 size-full\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA.jpg\" alt=\"L'une des plus anciennes \u00e9ditions de l'\u0153uvre d'orgue de Bach (BWV 544, Bach Gesellschaft Ausgabe), disponible seulement en scans de qualit\u00e9 m\u00e9diocre ou en r\u00e9-impression.\" width=\"1600\" height=\"468\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA.jpg 1600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA-600x176.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA-300x88.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA-768x225.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA-1024x300.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-BGA-400x117.jpg 400w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><figcaption id=\"caption-attachment-3870\" class=\"wp-caption-text\">Une des premi\u00e8res \u00e9ditions de Bach (Bach Gesellschaft Ausgabe), disponible en scans ou en r\u00e9-impression, de qualit\u00e9 m\u00e9diocre.<\/figcaption><\/figure>\n<figure id=\"attachment_3872\" aria-describedby=\"caption-attachment-3872\" style=\"width: 1600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3872\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro.jpg\" alt=\"Exemple de gravure moderne (utilisant Finale et Maestro), avec un bon param\u00e9trage (\u00e9paisseur des lignes, ligatures, espacement des notes).\" width=\"1600\" height=\"450\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro.jpg 1600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro-600x169.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro-300x84.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro-768x216.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro-1024x288.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-544-Maestro-400x113.jpg 400w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><figcaption id=\"caption-attachment-3872\" class=\"wp-caption-text\">Gravure moderne utilis\u00e9e pour OganScore (utilisant la police Maestro), avec un bon param\u00e9trage du logiciel Finale (\u00e9paisseur des lignes, ligatures, espacement des notes).<\/figcaption><\/figure>\n<h2 style=\"text-align: justify;\">La taille des port\u00e9es<\/h2>\n<p style=\"text-align: justify;\" data-start=\"2963\" data-end=\"3303\">Les partitions classiques pour orgue ou piano utilisent g\u00e9n\u00e9ralement une hauteur de port\u00e9e comprise entre <strong data-start=\"3069\" data-end=\"3085\">6 mm et 7 mm<\/strong>. Dans la perspective de supprimer ou de minimiser les tournes, il \u00e9tait difficile d\u2019utiliser la partie haute de cette plage. Je me suis donc situ\u00e9 dans un intervalle compris approximativement entre <strong data-start=\"3284\" data-end=\"3302\">6 mm et 6,5 mm<\/strong>.<\/p>\n<p style=\"text-align: justify;\" data-start=\"3305\" data-end=\"3530\">\u00c0 titre de comparaison, la c\u00e9l\u00e8bre \u00e9dition de la <strong data-start=\"3354\" data-end=\"3383\">Bach-Gesellschaft Ausgabe<\/strong> (BGA), disponible sous forme de scans sur IMSLP, pr\u00e9sente une hauteur de port\u00e9e d\u2019environ 6 mm lorsqu\u2019elle est imprim\u00e9e en format A4 ou US-Letter.<\/p>\n<p style=\"text-align: justify;\" data-start=\"3532\" data-end=\"4063\">Cette plage s\u2019est r\u00e9v\u00e9l\u00e9e parfaitement suffisante pour assurer une excellente lisibilit\u00e9. Celle-ci d\u00e9pend en effet non seulement de la taille de la port\u00e9e, mais aussi du choix judicieux d\u2019autres param\u00e8tres (police, \u00e9paisseur des lignes, espacements, etc.) ainsi que de la qualit\u00e9 de l\u2019impression laser. En pratique, une port\u00e9e de 6 mm bien grav\u00e9e peut \u00eatre plus lisible qu\u2019une port\u00e9e de 7 mm issue d\u2019une \u00e9dition ancienne, o\u00f9 lignes \u00e9paisses, t\u00eates de notes trop petites et ligatures mal proportionn\u00e9es nuisent \u00e0 la clart\u00e9 du texte.<\/p>\n<h2 style=\"text-align: justify;\">L&rsquo;\u00e9paisseur des lignes<\/h2>\n<p style=\"text-align: justify;\" data-start=\"4097\" data-end=\"4488\">L\u2019\u00e9paisseur des lignes \u2014 qu\u2019il s\u2019agisse des lignes de port\u00e9e ou d\u2019autres \u00e9l\u00e9ments graphiques \u2014 est un param\u00e8tre crucial. Les \u00e9ditions traditionnelles pr\u00e9sentent souvent des lignes \u00e9paisses, en grande partie \u00e0 cause de l\u2019impression offset, dont le principe implique une absorption de l\u2019encre par le papier. L\u2019impression laser permet au contraire d\u2019obtenir des traits plus fins et plus pr\u00e9cis.<\/p>\n<p data-start=\"4490\" data-end=\"4556\">Dans l\u2019\u00e9dition OrganScore, plusieurs principes ont \u00e9t\u00e9 appliqu\u00e9s :<\/p>\n<ul style=\"text-align: justify;\">\n<li style=\"text-align: justify;\"><strong data-start=\"4560\" data-end=\"4600\">lignes de port\u00e9es et hampes de notes<\/strong> : leur \u00e9paisseur est r\u00e9duite au strict n\u00e9cessaire pour rester parfaitement visibles, afin de faire ressortir t\u00eates de notes et ligatures ;<\/li>\n<li style=\"text-align: justify;\"><strong data-start=\"4742\" data-end=\"4755\">ligatures<\/strong> : leur \u00e9paisseur et leur espacement vertical sont soigneusement \u00e9quilibr\u00e9s ; elles ne doivent jamais croiser les lignes de port\u00e9es (optimisation rendue possible par Finale) ;<\/li>\n<li style=\"text-align: justify;\"><strong data-start=\"4933\" data-end=\"4953\">barres de mesure<\/strong> : l\u00e9g\u00e8rement plus \u00e9paisses que les lignes de port\u00e9es, elles doivent rester nettes et bien d\u00e9finies.<\/li>\n<\/ul>\n<h2>Exemples<\/h2>\n<p>Voici quelques exemples permettant de juger du r\u00e9sultat obtenu avec Finale\/Maestro, par comparaison avec des exemples d&rsquo;\u00e9dition anciennes.<\/p>\n<p><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"591\" class=\"size-full wp-image-3878\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle.jpg\" alt=\"&quot;&lt;yoastmark\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle.jpg 1600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle-600x222.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle-300x111.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle-768x284.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle-1024x378.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Ed-traditionnelle-400x148.jpg 400w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><\/p>\n<figure id=\"attachment_3880\" aria-describedby=\"caption-attachment-3880\" style=\"width: 1600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3880\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro.jpg\" alt=\"Exemple d'utilisation de Finale et Maestro (C\u00e9sar Franck : Pr\u00e9lude, fugue et variation)\" width=\"1600\" height=\"597\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro.jpg 1600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro-600x224.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro-300x112.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro-768x287.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro-1024x382.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Franck-Maestro-400x149.jpg 400w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><figcaption id=\"caption-attachment-3880\" class=\"wp-caption-text\">Exemple d&rsquo;utilisation de Finale et Maestro (C\u00e9sar Franck : Pr\u00e9lude, fugue et variation)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Autre exemple illustrant la gravure Finale\/Maestro :<\/p>\n<figure id=\"attachment_3874\" aria-describedby=\"caption-attachment-3874\" style=\"width: 1600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3874\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters.jpg\" alt=\"Exemple d'une \u00e9dition traditionnelle (Bach BWV 658) - Les lignes et les ligatures sont \u00e9paisses, les ligatures sont mal espac\u00e9es.\" width=\"1600\" height=\"409\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters.jpg 1600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters-600x153.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters-300x77.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters-768x196.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters-1024x262.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Ed-Peters-400x102.jpg 400w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><figcaption id=\"caption-attachment-3874\" class=\"wp-caption-text\">Edition traditionnelle (Bach BWV 658, Edition Peters, 1846) &#8211; Les lignes et les ligatures sont \u00e9paisses, les ligatures sont mal espac\u00e9es.<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"508\" class=\"size-full wp-image-3876\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro.jpg\" alt=\"&quot;&lt;yoastmark\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro.jpg 1600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro-600x191.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro-300x95.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro-768x244.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro-1024x325.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/1600px-Exemple-Bach-BWV-658-Maestro-400x127.jpg 400w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><\/p>\n<h2 style=\"text-align: justify;\">Espacement des notes<\/h2>\n<p style=\"text-align: justify;\">L\u2019espacement horizontal des notes dans OrganScore respecte les principes traditionnels de la gravure musicale. L\u2019espace minimal occup\u00e9 par une valeur donn\u00e9e (par exemple une noire) est \u00e9gal \u00e0 <strong data-start=\"5355\" data-end=\"5369\">1,618 fois<\/strong> (nombre d\u2019or) l\u2019espace occup\u00e9 par une note de dur\u00e9e deux fois plus courte (croche). Il s\u2019agit l\u00e0 d\u2019une valeur minimale : en cas de superposition des voix, l\u2019alignement vertical impose des rapports plus \u00e9lev\u00e9s.<\/p>\n<figure id=\"attachment_3971\" aria-describedby=\"caption-attachment-3971\" style=\"width: 4015px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Example-Spacing.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3971\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Example-Spacing.jpg\" alt=\"Rapport des espaces occup\u00e9s par des notes de diff\u00e9rentes valeurs.\" width=\"4015\" height=\"703\" \/><\/a><figcaption id=\"caption-attachment-3971\" class=\"wp-caption-text\">Rapport des espaces occup\u00e9s par des notes de diff\u00e9rentes valeurs.<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Une fois cette r\u00e8gle \u00e9tablie, un <strong data-start=\"5614\" data-end=\"5636\">espacement de base<\/strong> doit \u00eatre d\u00e9fini pour une valeur de r\u00e9f\u00e9rence (g\u00e9n\u00e9ralement la noire). Cet espacement est choisi pour chaque pi\u00e8ce \u2014 et parfois pour chaque section \u2014 en fonction de sa nature musicale. Ce r\u00e9glage constitue l\u2019une des optimisations les plus importantes de la mise en page et doit respecter plusieurs contraintes :<\/p>\n<ul style=\"text-align: justify;\">\n<li>\u00eatre adapt\u00e9 aux dur\u00e9es utilis\u00e9es (un espacement convenant \u00e0 une mesure \u00e0 6\/8 ne convient pas \u00e0 une mesure \u00e0 3\/2) ;<\/li>\n<li style=\"text-align: justify;\">privil\u00e9gier, lorsque cela est possible, des espacements relativement courts, favorisant la compr\u00e9hension du texte et la r\u00e9duction des tournes ;<\/li>\n<li style=\"text-align: justify;\">\u00e9viter les variations d\u00e9sagr\u00e9ables d\u2019un syst\u00e8me \u00e0 l\u2019autre, qui nuisent \u00e0 la lisibilit\u00e9.<\/li>\n<\/ul>\n<p>Le grand format OrganScore, associ\u00e9 si n\u00e9cessaire \u00e0 un retour \u00e0 la ligne en milieu de mesure, permet d\u2019\u00e9quilibrer le nombre de mesures par syst\u00e8me et d\u2019\u00e9viter ces irr\u00e9gularit\u00e9s.<\/p>\n<figure id=\"attachment_3894\" aria-describedby=\"caption-attachment-3894\" style=\"width: 1485px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3894\" src=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2.jpg\" alt=\"Espacement de note variable d'un syst\u00e8me \u00e0 l'autre \u00e0 cause du nombre de mesures (BGA) - le r\u00e9sultat, ne favorise pas la lisibilit\u00e9 et peut \u00eatre \u00e9vit\u00e9 avec un grand format.\" width=\"1485\" height=\"756\" srcset=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2.jpg 1485w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2-600x305.jpg 600w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2-300x153.jpg 300w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2-768x391.jpg 768w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2-1024x521.jpg 1024w, https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Variation-espacement-2-400x204.jpg 400w\" sizes=\"auto, (max-width: 1485px) 100vw, 1485px\" \/><\/a><figcaption id=\"caption-attachment-3894\" class=\"wp-caption-text\">Espacement de note variable d&rsquo;un syst\u00e8me \u00e0 l&rsquo;autre \u00e0 cause du nombre de mesures (BGA) &#8211; le r\u00e9sultat, ne favorise pas la lisibilit\u00e9 et peut \u00eatre \u00e9vit\u00e9 avec un grand format.<\/figcaption><\/figure>\n<h2 style=\"text-align: justify;\">Cl\u00e9s et armatures<\/h2>\n<p style=\"text-align: justify;\">Le choix des cl\u00e9s est un facteur important de lisibilit\u00e9. L\u2019\u00e9dition OrganScore utilise exclusivement les <strong data-start=\"6615\" data-end=\"6639\">cl\u00e9s de sol et de fa<\/strong> (aucune cl\u00e9 d\u2019ut). En ce qui concerne les armatures, j\u2019ai adopt\u00e9 le syst\u00e8me tonal moderne, ind\u00e9pendamment des manuscrits originaux. Ainsi, les pi\u00e8ces en r\u00e9 mineur comportent syst\u00e9matiquement un si b\u00e9mol \u00e0 la cl\u00e9, celles en sol mineur deux b\u00e9mols, etc. Une exception est faite uniquement lorsque le titre de la pi\u00e8ce indique explicitement un mode (dorien, phrygien, etc.).<\/p>\n<h2 style=\"text-align: justify;\">Choix du papier<\/h2>\n<p style=\"text-align: justify;\" data-start=\"7040\" data-end=\"7338\">Le contraste maximal est obtenu avec un texte noir sur papier blanc. Toutefois, ce contraste peut s\u2019av\u00e9rer fatigant, le papier blanc devenant parfois \u00e9blouissant sous l\u2019\u00e9clairage du pupitre. De nombreuses \u00e9tudes sur la lisibilit\u00e9 montrent qu\u2019un fond l\u00e9g\u00e8rement chaud am\u00e9liore le confort de lecture (cf. <a href=\"https:\/\/www.cs.cmu.edu\/~jbigham\/pubs\/pdfs\/2017\/colors.pdf\"><strong>article sur ce de ce sujet<\/strong><\/a>).<\/p>\n<p style=\"text-align: justify;\" data-start=\"7340\" data-end=\"7561\">C\u2019est pourquoi les partitions de qualit\u00e9 \u2014 tout comme les livres d\u2019\u00e9dition soign\u00e9e \u2014 sont g\u00e9n\u00e9ralement imprim\u00e9es sur papier cr\u00e8me ou ivoire. Le papier utilis\u00e9 pour OrganScore pr\u00e9sente donc les caract\u00e9ristiques suivantes :<\/p>\n<ul>\n<li style=\"text-align: justify;\">couleur ivoire,<\/li>\n<li style=\"text-align: justify;\">l\u00e9ger satinage am\u00e9liorant la nettet\u00e9 de l\u2019impression,<\/li>\n<li style=\"text-align: justify;\">grammage relativement \u00e9lev\u00e9 (120 g\/m\u00b2) limitant la transparence et facilitant une tourne franche.<\/li>\n<\/ul>\n<h2 style=\"text-align: justify;\">Conclusion<\/h2>\n<p style=\"text-align: justify;\" data-start=\"7762\" data-end=\"8286\">Il est difficile de r\u00e9sumer l\u2019ensemble du travail d\u2019optimisation effectu\u00e9 pour chaque \u0153uvre et chaque volume OrganScore. La notion de \u00ab lisibilit\u00e9 \u00bb n\u2019est ni scientifique ni strictement objective. Il a toutefois \u00e9t\u00e9 possible de r\u00e9soudre le probl\u00e8me des tournes de page <strong data-start=\"8031\" data-end=\"8063\">sans sacrifier la lisibilit\u00e9<\/strong>, en conservant une taille de port\u00e9e comparable \u00e0 celle des partitions classiques pour orgue ou piano. \u00c0 titre d\u2019exemple, la lisibilit\u00e9 des partitions OrganScore est sup\u00e9rieure \u00e0 celle de la BGA (Bach-Gesellschaft Ausgabe).<\/p>\n<p style=\"text-align: justify;\" data-start=\"8288\" data-end=\"8458\">J\u2019utilise personnellement ces partitions depuis de nombreuses ann\u00e9es, avec une grande satisfaction, et j\u2019esp\u00e8re que bien d\u2019autres organistes partageront cette exp\u00e9rience.<\/p>\n<h2 style=\"text-align: justify;\">Exemples \u00e0 imprimer<\/h2>\n<p style=\"text-align: justify;\" data-start=\"8489\" data-end=\"8842\">Certains organistes me demandent : <em data-start=\"8524\" data-end=\"8571\">\u00ab Vos partitions sont-elles bien lisibles ? \u00bb<\/em>, <em data-start=\"8573\" data-end=\"8617\">\u00ab Ne sont-elles pas \u00e9crites trop petit ? \u00bb. <\/em>Si vous avez lu cet article, vous connaissez d\u00e9j\u00e0 la r\u00e9ponse : elles sont au moins aussi lisibles que les partitions classiques pour orgue \u2014 et souvent plus claires, gr\u00e2ce \u00e0 un espacement \u00e9quilibr\u00e9 et \u00e0 l\u2019impression laser.<\/p>\n<p style=\"text-align: justify;\" data-start=\"8844\" data-end=\"9145\">Le meilleur moyen de s\u2019en rendre compte est encore de les essayer. Vous trouverez ci-dessous plusieurs extraits au format PDF, \u00e0 imprimer sur papier A4 ou US-Letter selon votre usage. Pour un rendu fid\u00e8le, veillez \u00e0 r\u00e9gler l\u2019option de mise \u00e0 l\u2019\u00e9chelle sur <strong data-start=\"9100\" data-end=\"9114\">\u00ab aucune \u00bb<\/strong> dans la fen\u00eatre d\u2019impression.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/BWV-525-1-Extract-200x265-Print-with-no-scaling.pdf\">BWV-525-1-Extract-200&#215;265-(Print-with-no-scaling).pdf<\/a><br \/>\n<a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/BWV-526-1-Extract-200x265-Print-with-no-scaling.pdf\">BWV-526-1-Extract-200&#215;265-(Print-with-no-scaling).pdf<\/a><br \/>\n<a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/BWV-541-1-Extract-200x265-Print-with-no-scaling.pdf\">BWV-541-1-Extract-200&#215;265-(Print-with-no-scaling).pdf<\/a><br \/>\n<a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Boely-Extract-200x265-Print-with-no-scaling.pdf\">Boely-Extract-200&#215;265-(Print-with-no-scaling).pdf<\/a><br \/>\n<a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Boellmann-Toccata-Extract-200x265-Print-with-no-scaling.pdf\">Boellmann-Toccata-Extract-200&#215;265-(Print-with-no-scaling).pdf<\/a><br \/>\n<a href=\"https:\/\/www.organscore.com\/wp-content\/uploads\/2018\/11\/Gigout-Toccata-Extract-200x265-Print-with-no-scaling.pdf\">Gigout-Toccata-Extract-200&#215;265-(Print-with-no-scaling).pdf<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.organscore.com\/fr\/\"><strong>Retour \u00e0 la page d&rsquo;accueil<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lisibilit\u00e9 des partitions OrganScore Lorsqu\u2019ils travaillent une \u0153uvre, les musiciens suivent un long processus de r\u00e9solution de difficult\u00e9s techniques et d\u2019assimilation du texte musical. Ce travail s\u2019appuie progressivement sur la m\u00e9morisation de tous ces \u00e9l\u00e9ments. Beaucoup finissent d\u2019ailleurs par jouer de m\u00e9moire : c\u2019est typiquement le cas des pianistes en r\u00e9cital. Pour les organistes, il [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3968,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[64],"tags":[],"class_list":["post-3857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lisibilit\u00e9 des partitions OrganScore - OrganScore<\/title>\n<meta name=\"description\" content=\"Les partitions OrganScore ne sont pas des r\u00e9ductions ! 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