{"id":4671,"date":"2020-05-19T18:26:24","date_gmt":"2020-05-19T16:26:24","guid":{"rendered":"https:\/\/www.organscore.com\/?page_id=4671"},"modified":"2026-02-26T23:03:21","modified_gmt":"2026-02-26T22:03:21","slug":"c-saint-saens-edition-complete-organscore","status":"publish","type":"page","link":"https:\/\/www.organscore.com\/fr\/c-saint-saens-edition-complete-organscore\/","title":{"rendered":"C. Saint-Sa\u00ebns \u2013 Edition Compl\u00e8te OrganScore"},"content":{"rendered":"

\u0152uvres Compl\u00e8tes pour Orgue de Saint-Sa\u00ebns<\/h1>\n
\"Saint-Sa\u00ebns<\/a>
Saint-Sa\u00ebns \u00e0 l’orgue de la salle Gaveau<\/figcaption><\/figure>\n

Compositeur, Pianiste, Chef d’Orchestre et Organiste<\/h2>\n
\"L'Orgue<\/a>
L’Orgue de la Madeleine, Paris (Cavaill\u00e9-Coll 1846)<\/figcaption><\/figure>\n

Camille Saint-Sa\u00ebns est n\u00e9e \u00e0 Paris le 9 octobre 1835 et d\u00e9c\u00e9d\u00e9 \u00e0 Alger le 16 d\u00e9cembre 1921. Enfant prodige, il fait ses premiers concerts \u00e0 l’\u00e2ge de onze ans, puis m\u00e8ne une brillante carri\u00e8re musicale. Surtout connu aujourd’hui comme un compositeur prolifique et inspir\u00e9 de l’\u00e8re post-romantique, il \u00e9tait \u00e9galement pianiste virtuose, chef d’orchestre et organiste. Il fut d’ailleurs l’organiste titulaire d’importantes \u00e9glises parisiennes, telles que Saint-Merry, la Madeleine et Saint-S\u00e9verin.<\/p>\n

Comme compositeur, Saint-Sa\u00ebns appara\u00eet souvent comme un adepte du contrepoint et un admirateur des ma\u00eetres classiques tels que Mozart ou Haydn. Dans son \u0153uvre pour orgue, ce go\u00fbt de la clart\u00e9 fut sans doute aliment\u00e9 par le caract\u00e8re semi-classique, semi-symphonique de certains des instruments qu’il fut amen\u00e9 \u00e0 jouer (Saint-Merry, Saint-S\u00e9verin).<\/p>\n

L’\u0152uvre pour Orgue<\/h2>\n
\"L'Orgue<\/a>
Saint-S\u00e9verin, Paris (Orgue Ferrand 1745\/Abbey 1889\/Kern 1964)<\/figcaption><\/figure>\n

L’\u0153uvre pour orgue de Saint-Sa\u00ebns s’\u00e9tend sur toute sa carri\u00e8re, depuis les pi\u00e8ces de jeunesse (pi\u00e8ces pour harmonium, premi\u00e8re fantaisie, rhapsodies sur des cantiques bretons, etc.) jusqu’au \u0153uvres de la maturit\u00e9 (Pr\u00e9ludes et fugues Op. 109, 7 improvisations, 3\u00e8me fantaisie). D’un caract\u00e8re parfois tr\u00e8s libre et pittoresque, parfois plus solennel, la musique pour orgue de Saint-Sa\u00ebns est toujours d’une grande inventivit\u00e9. Et m\u00eame si le langage en est souvent ch\u00e2ti\u00e9, aucune de ces \u0153uvres ne c\u00e8de \u00e0 un quelconque acad\u00e9misme st\u00e9rile.<\/p>\n

Cette \u00ab\u00a0int\u00e9grale\u00a0\u00bb ne saurait \u00eatre compl\u00e8te sans les transcriptions r\u00e9alis\u00e9es par Alexandre Guilmant (1837-1911), Emile Bernard (1843-1902) L\u00e9on Bo\u00ebllmann (1862-1897), trois organistes fran\u00e7ais contemporains de Saint-Sa\u00ebns. Ces transcriptions ayant \u00e9t\u00e9 r\u00e9alis\u00e9es du vivant de Saint-Sa\u00ebns ne peuvent-elles pas, en effet, \u00eatre quasiment consid\u00e9r\u00e9es comme si elles \u00e9taient de sa propre main…<\/p>\n

Les Pi\u00e8ces pour Harmonium<\/h2>\n

Le volume I contient quelques pi\u00e8ces pour harmonium, dont certaines ont des indications de registration sp\u00e9cifiques \u00e0 cet instrument. Bien qu’elles soient g\u00e9n\u00e9ralement jou\u00e9s \u00e0 l’orgue de nos jours, il est important de comprendre la signification des ces indications. Dans ce but, une description de l’harmonium fran\u00e7ais classique a \u00e9t\u00e9 incluse.<\/p>\n

\"Disposition<\/a>
Disposition d’un harmonium fran\u00e7ais classique<\/figcaption><\/figure>\n

L’Edition OrganScore<\/h2>\n

Les \u0153uvres se r\u00e9partissent sur deux volumes et sont dispos\u00e9es selon un ordre approximativement chronologique. Cependant, pour des raisons de logique, nous avons regroup\u00e9 les transcriptions \u00e0 la fin du volume II. Comme pour toute partition OrganScore, l’organiste pourra jouer sans probl\u00e8me de tourne de page, avec une tr\u00e8s bonne lisibilit\u00e9 (voir la page sur la lisibilit\u00e9 de l’\u00e9dition OrganScore<\/a>).<\/p>\n

VOLUME I<\/strong><\/a>
\nPi\u00e8ces diverses (2 Pr\u00e9ludes, 2 Versets, Offertoire), 9 Pi\u00e8ces pour Orgue ou Harmonium, 3 Pi\u00e8ces pour Harmonium Op. 1, Fantaisie no 1, 3 Rhapsodies sur des Cantiques Bretons Op. 7, 3 Pr\u00e9ludes et Fugues Op. 99, Fantaisie no 2 Op. 101, Marche Religieuse Op. 107.
\n\"Saint-Sa\u00ebns<\/a><\/p>\n

VOLUME II<\/strong><\/a>
\n3 Pr\u00e9ludes et Fugues Op. 109, 7 Improvisations Op. 150, Cypr\u00e8s Op. 156, Fantaisie no 3 Op. 157, Transcriptions : O Salutaris Hostia, Marche H\u00e9ro\u00efque Op. 34, Adagio Op. 78, R\u00eaverie Op. 60, Hymne \u00e0 Victor Hugo Op. 69, Pr\u00e9lude du D\u00e9luge Op. 45, Berceuse Op. 105, Marche du Synode (Op\u00e9ra \u02baHenri VIII\u02ba), Le Cygne (Carnaval des Animaux).
\n\"Saint-Sa\u00ebns<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0152uvres Compl\u00e8tes pour Orgue de Saint-Sa\u00ebns Compositeur, Pianiste, Chef d’Orchestre et Organiste Camille Saint-Sa\u00ebns est n\u00e9e \u00e0 Paris le 9 octobre 1835 et d\u00e9c\u00e9d\u00e9 \u00e0 Alger le 16 d\u00e9cembre 1921. Enfant prodige, il fait ses premiers concerts \u00e0 l’\u00e2ge de onze ans, puis m\u00e8ne une brillante carri\u00e8re musicale. Surtout connu aujourd’hui comme un compositeur prolifique […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"yoast_head":"\nC. 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