Renaud Vergnet<\/strong>\u00a0est organiste professionnel, titulaire des orgues de l’\u00e9glise Saint-Pierre du gros caillou \u00e0 Paris. Il est dipl\u00f4m\u00e9 des conservatoires de Boulogne-Billancourt et d’Issy-les-Moulineaux (1er prix d’orgue et d’\u00e9criture).<\/p>\n \u00ab\u00a0Depuis que j’utilise des partitions en grand format, je n’ai pas besoin d’assistant, je peux me concentrer sur la musique et sur les changements de registration. Cela fait tr\u00e8s longtemps je les utilise, et aujourd’hui j’aurais bien du mal \u00e0 m’en passer. Aussi, il y a quelques ann\u00e9es, j’ai d\u00e9cid\u00e9 d’initier l’\u00e9dition \u00ab\u00a0OrganScore\u00a0\u00bb pour les rendre disponibles pour la communaut\u00e9 des organistes\u00a0\u00bb.<\/em><\/p>\n En tant que musicien, Renaud Vergnet est nourri d’influences \u00e9clectiques. Mais dans le cadre de son travail sur la collection OrganScore, il s’est fix\u00e9 comme objectif de proposer une \u00e9dition de r\u00e9f\u00e9rence du r\u00e9pertoire des grands ma\u00eetres de l’orgue. Cela l’a conduit non seulement \u00e0 s’atteler aux aspects ergonomiques, mais aussi \u00e0 r\u00e9fl\u00e9chir sur la qualit\u00e9 du texte musical.<\/p>\n A ce titre, il s’est particuli\u00e8rement int\u00e9ress\u00e9 au p\u00e9rim\u00e8tre des \u0153uvres et au choix du texte pour l’\u0153uvre d’orgue compl\u00e8te de J.S. Bach. Celle-ci comprend notamment une \u00e9dition originale des chorals Neumeister et une s\u00e9lection de pi\u00e8ces pour clavecin adaptables \u00e0 l’orgue. Il a aussi compl\u00e9t\u00e9 quelques \u0153uvres inachev\u00e9es, et introduit de nouvelles transcriptions.<\/p>\n Renaud Vergnet s’est aussi attaqu\u00e9 \u00e0 l’\u00e9dition de l’\u0153uvre d’orgue de D. Buxtehude, dont la fiabilit\u00e9 des sources est probl\u00e9matique. Il a pour cela \u00e9tudi\u00e9 l’ensemble des manuscrits de mani\u00e8re \u00e0 en proposer une version originale et coh\u00e9rente.<\/p>\n Plus r\u00e9cemment, il a enrichi le catalogue OrganScore de nombreux compositeurs sous forme ‘d’int\u00e9grales’ (Brahms, Franck, Mendelssohn, Saint-Sa\u00ebns, Grigny, Symphonies de Vierne et de Widor), de transcriptions (Vivaldi, Mozart, Debussy), ainsi que de 3 volumes ‘d’Offertoires & Dialogues sur les grands jeux’, portant la collection \u00e0 45 r\u00e9f\u00e9rences \u00e0 ce jour.<\/p>\n Il continue de travailler sur de nouveaux volumes, \u00e0 para\u00eetre r\u00e9guli\u00e8rement.<\/p>\n","protected":false},"excerpt":{"rendered":" La collection OrganScore, une \u00e9dition \u00e9vitant les tournes de pages est con\u00e7ue et \u00e9dit\u00e9e pour les organistes par un organiste\u00a0: Renaud Vergnet.<\/p>\n","protected":false},"author":1,"featured_media":3686,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3148","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n